In this major new collection, an international team of scholars examine the relationship between the Chinese women's periodical press and global modernity in the late nineteenth and twentieth centuries. The essays in this richly illustrated volume probe the ramifications for women of two monumental developments in this period: the intensification of China's encounters with fore...(展开全部)

In this major new collection, an international team of scholars examine the relationship between the Chinese women's periodical press and global modernity in the late nineteenth and twentieth centuries. The essays in this richly illustrated volume probe the ramifications for women of two monumental developments in this period: the intensification of China's encounters with fore...(展开全部)

This indispensable guide for students of both Chinese and women’s history synthesizes recent research on women in twentieth-century China. Written by a leading historian of China, it surveys more than 650 scholarly works, discussing Chinese women in the context of marriage, family, sexuality, labor, and national modernity. In the process, Hershatter offers keen analytic insight...(展开全部)

This indispensable guide for students of both Chinese and women’s history synthesizes recent research on women in twentieth-century China. Written by a leading historian of China, it surveys more than 650 scholarly works, discussing Chinese women in the context of marriage, family, sexuality, labor, and national modernity. In the process, Hershatter offers keen analytic insight...(展开全部)

This first book-length study of gender relations in the Lower Yangzi region during the High Qing era (c. 1683-1839) challenges enduring late-nineteenth-century perspectives that emphasized the oppression and subjugation of Chinese women. Placing women at the center of the High Qing era shows how gender relations shaped the economic, political, social, and cultural changes of th...(展开全部)

This first book-length study of gender relations in the Lower Yangzi region during the High Qing era (c. 1683-1839) challenges enduring late-nineteenth-century perspectives that emphasized the oppression and subjugation of Chinese women. Placing women at the center of the High Qing era shows how gender relations shaped the economic, political, social, and cultural changes of th...(展开全部)

（英）大卫·雷诺兹（David Reynolds，1952-） 英国历史界瑰宝，剑桥大学历史学教授，美国哈佛大学、内布拉斯加大学、俄克拉荷马州大学以及东京日本大学、巴黎政治学院客座学者。曾于2004年获得“沃夫森历史奖”，并于2005年当选英国学术院院士。 雷诺兹教授著有大量作品，《长长的阴影》是其代表作之一。2014年秋季，英国广播电视公司BBC以《长长的阴影》为脚本，制作了三集同名纪录片，并邀请雷诺兹教授在片中担任解说，以纪念第一次世界大战爆发一百周年。 雷诺兹教授的研究集中于20世纪西方历史、冷战史，乃是英国历史学界泰斗，在学术界和民众中均享有很高声誉。长期以来，雷诺兹教授未被国内学术界所知，《长长的阴影》是其在中国翻译出版的第一部作品。除本书外，还著有：《推翻布列塔尼：20世纪的强权与英国政策》《掌控历史：丘吉尔在二战中的奋战》（沃夫森历史学...(展开全部)

本书是美国著名中国现代美术史学者安雅兰1998年在纽约古根海姆博物馆策划的大型展览“危机中的一个世纪:20世纪中国艺术中的现代与传统”的展览图录。该展览试图对一个世纪以来的中国艺术作一次概括性的回顾和总结。在书中作者把现当代中国美术划分为四个时期，即“中国画的革新，1850一1950";“现代主义者，1920-1950";“新中国艺术，1950-1980";以及“传统的改造，1980至今”，并分别描述和分析了各个时期的风格特点以及其时代特征。 Between 1850 and today, China has undergone an unprecedented series of shocks and transformations. This dramatic period -- which has seen urban industrializ...(展开全部)

本书是美国著名中国现代美术史学者安雅兰1998年在纽约古根海姆博物馆策划的大型展览“危机中的一个世纪:20世纪中国艺术中的现代与传统”的展览图录。该展览试图对一个世纪以来的中国艺术作一次概括性的回顾和总结。在书中作者把现当代中国美术划分为四个时期，即“中国画的革新，1850一1950";“现代主义者，1920-1950";“新中国艺术，1950-1980";以及“传统的改造，1980至今”，并分别描述和分析了各个时期的风格特点以及其时代特征。 Between 1850 and today, China has undergone an unprecedented series of shocks and transformations. This dramatic period -- which has seen urban industrializ...(展开全部)

When first published in 1982, A LITERATURE OF THEIR OWN quickly set the stage for the creative explosion of feminist literary studies that transformed the field in the 1980s. Launching a major new area for literary investigation, the book uncovered the long but neglected tradition of women writers and the development of their fiction from the 1800s onwards. It includes assessme...(展开全部)